"An arbitrary succession of more or less irritating sounds"
Showing posts with label dubstep. Show all posts
Showing posts with label dubstep. Show all posts

Saturday, 26 February 2011

New Skin for the Old Apparatus



Noone knows who Old Apparatus is/are, but that, along with the weirdo imagery, seems to have helped. These days, in ‘underground’ (how quaint) ‘dance’ (loosely) music circles, it seems it’s not who you know, it’s who is unknown (see Burial, Traversable Wormhole, to name but two more recent). If you want to go through the whole cloud of unknowing again, there’s a whole lotta guessing going on at Dubstepforum, with various candidates being bandied about. Anyway, not wanting to dwell with an overly jaundiced eye, purpose here is to highlight an unknown artist(s) release by Dubstep roots imprint, Deep Medi Musik, owned by Digital Mystikz man, Mala. Without so much as a London Rootsmen Go Doomstep Shock headline, their 20-minute promo mix and vinyl-only appeared early this year, sounding far from Medi's in-house style - except for recent deeper space emissions from V.I.V.E.K and Benny Ill (dig that name!). Huge open spaces with scant club visions, Roots aesthetic eschewed, the vinyl (now also available in flac) has an A and B of viscid and hard ambient-industrial and bass-scapes, parts deciding space is the place, and staying beatless, but more sections bringing in caustic percussive percs, applying low-end theory beyond standard half-step skip and bass wobble orthodoxy. Those seeking reference coordinates might look beyond the step to darkside eclecticists Demdike Stare - if they stepped things up, or Raime - if they roused themselves from vaguely maleficent torpor (pssst! Bits even sound like IDM-tastic Chris Clark).

There’s a deal of doom and noise nuggets here to get you musing. Their future’s so bruit, you gotta wear more than shades – it’s all pillar drills!


Yep, it’s mytholo-geed up by some pretty Out-there artwork/imagery by a guy called Gerbil tea. Now, those less open to the seduction of the Uncanny may simply sit unmoved, asking “why have they got pillar drills as heads?” Still it'd be hard to be unmoved by the sound of Old Apparatus:

OA-001 by Old apparatus




A boomkat scribe takes time out from the blather about the latest glowfi-spaghetti-psych-hop sensation from Anglesey recorded on a Woolworths dictaphone or whatever/wherever to script something salient: “…exploring a darkside realm of post-dubstep noise-sculpting/sound design posited somewhere in the midst of Chasing Voices, Burial and old-style Vex'd. Nobody bar the label knows who's behind it, but that only amplifies its enigmatic aura. The A-side builds from a squall of distortion into cataclysmic bassline worship sounding like Stephen O'Malley jamming with Mala while insectoid percussion etches skeletal surface patterns and the rhythm unfolds like something from the Anstam archives. The B-side is weirder still, a multi-sided geometric construction unstably morphing from ecstatic dubstep noise to Raime-like halfstep industrial dystopia, with an added welt of blackened distortion.” That ought to do it.

Downloadable promo mix and various viewables at the Old Apparatus site. Esoteric an’ ting!



Important: LMYE only makes music available that artists/labels have chosen to share freely. Let us know if something here shouldn't be.

Wednesday, 30 December 2009

Curators/custodians/compilers



We noted the exceptional Type as LMYE's label of the year recently - but need to acknowledge more outstanding sound curators/custodians/compilers that were also key in helping shape our listening year.

At the risk of sending the pomposity/self-importance dial off the gauge, they start with four more highlighted labels that had a particularly intense impact here. An additional 15 who all also made a consistent difference bring us up to a top 20 - though this is a wholly arbitrary number, of course, & many other labels are also bringing out great music across a host of genres & styles; we try to acknowledge some below as well.

Implicit in all of this is the well-rehearsed idea that despite all of technology's lowering of barriers to entry labels remain important - perhaps more than ever. When we're flooded with new music their role as visible exercisers of taste, as rallying points, as cultural lenses, seems to really matter. Certainly, it still does to LMYE...

kranky > LMYE's larger label of the year: like Thrill Jockey (see below) only more so: meaning incredible vigour & new avenues even after all these years - especially this, this, this, this, this & this (& still thinking about this...) [previously/more/more] >> Tim Hecker > Visiting An Imaginary Country [LMYE hack] (from An Imaginary Country)


Low Point > LMYE's new discovery label of the year: consistently excellent & now making smart Type-style use of SoundCloud streaming - especially this, this, this, this & this [previously] >> Gareth Hardwick - Versions of Aversions [LMYE hack] (from Aversions)



12k/Line
> LMYE's 'staggering consistency' label of the year: an unflagging succession of exceptional releases, whether from its rich Australian connection (see Room40 below), label head Taylor Deupree himself or other sources - especially this, this, this, this, this, this, this & this [previously/more/more] >> TU M' - Monochrome # 03 (from Monochromes, Vol. 1) [re-up]



Anticipate > LMYE's 'if only they would release more' label of the year: regrettably few releases but always a source of, er, anticipation & excitement - especially this, this & this >> Klimek - Movies is Magic minimix (from Movies is Magic; NB: higher-res version available from Anticipate)



Ad Noiseam

Audiobulb

Bine

Fang Bomb

FatCat

Ghostly International/Spectral Sound

Highpoint Lowlife

infrasonics

Miasmah

Modern Love

Raster-Noton

sustain-release


Thrill Jockey

Uncharted Audio

~scape

Also: Amazing Sounds, Bedroom Community, BPitch Control, Constellation, Domino, Erased Tapes
, Hessle Audio, Hotflush, Home Normal, Honest Jon's, Hyperdub, Kesh, Kompakt, Mobeer/Moteer, Moving Furniture, Mule Musiq, Ostgut Ton, Overlap, Perlon, Planet Mu, Punch Drunk, Rekids, Room40, Root Strata, Rune Grammafon, Samadhisound, Spekk, Staubgold, Tectonic, Temporary Residence, Touch, Warp, Werk...

NB: further links & references to follow as & when...

>> The Kilimanjaro Darkjazz Ensemble -
Embers (from Here Be Dragons, Ad Noiseam) >> Tujiko Noriko/Lawrence English/John Chantler - I Can Hear The Heart (Live at Cafe Oto) >> Pausal / Alpine. - Song From A Cloth Pocket / fr:om (from Pausal (EP) / Fr:om Harmed Weather To Stark, Micro, Climates., both Highpoint Lowlife) [re-ups]

Important: LMYE only makes music available that artists/labels have chosen to share freely. Let us know if something here shouldn't be.

Friday, 18 December 2009

Apocalyptic lovers



"
Cavernous Dub, Tearjerking Ballads, Apocalyptic Lovers, Gangsta House, Smack hop, Dancehall Shoegazing, No Wave Blues, Slo-fi Soul, The Stars, The Oceans, Love, Lust, Loss and Sensuality"

King Midas Sound's Waiting For You is one of the albums of the year, clearly. Smearing woozy ethereality over a dubstep with the emphasis on dub is unanticipated - & often mesmerising.

Its accumulating intensity is highlighted in the spacey, chiming Too Long, featured alongside an illuminating interview with The FADER earlier this week.

All of KMS's earlier Dub Heavy - Heats & Ghosts EP - which includes the, ironically, original Too Long Dub - & their Surround Me track from the outstanding first Box of Dub compilation can be heard in this Spotify playlist, by the way. No surprise that the new version & the dub mix together beautifully (hear them together via SoundCloud below)...& whichever of the countless original Troddings that seems to be cited in Too Long ought to fit too.

Too Longer (Too Long + Too Long Dub)

King Midas Sound > Too Long (unreleased; courtesy of KMS & The FADER)

Photo by Niall O'Brien



Important: LMYE only makes music available that artists/labels have chosen to share freely. Let us know if something here shouldn't be.

Sunday, 4 October 2009

Return to Navapolatsk




Lovely, dubby squelch from cross-border collaborations with Belarus, curated by ~scape: I/DEX vs Pole > Minsk, Pinch meets Pavel Ambiont > Poison / Remedy (both from Connections, re-upped [original post] to mark its release today...).

"The first Unsound Minsk in May 2007 was a revelation for Western European artists who performed, as well as the local audience. It was an event that via (mostly) electronic music created a spontaneous and strong route directly between the Belarus capital and the rest of Europe. Pole – Stefan Betke – was one of the artists who performed on that night. Together, Unsound, Betke and the Minsk team IN-Touch decided to take things further, to join Belarus producers and musicians with their counterparts from Germany, Poland, the UK, Switzerland and Sweden to form new collaborative projects. The artists on this CD travelled to Minsk for a week at the end of September, giving workshops and working on recording sessions with Belarus artists, working in a variety of music genres.

This CD is the result, a very diverse collection of tracks recorded in Minsk and mastered in Berlin. On the one hand imbued with a dark, heavy atmosphere, at times the music here is also playful, revealing the talent and energy of the Belarus artists, as well as the open minds of everyone involved. The project has led to releases beyond this compilation, and the continuation of forged collaborations. It promises the opening of more channels, more connections."


PsyPhotos by Pavel Ambiont

Bonus: I/DEX's fine Scalene (from Seqsextend, Nexsound).


Important: LMYE only makes music available that artists/labels have chosen to share freely. Let us know if something here shouldn't be.

Tuesday, 26 May 2009

Accelerating trip



Swollen, clicky moments from Spatial's accelerating trip over the past two years - from potent, severe bass music to brisk, swinging post-dubstep (& from netlabel to own label). 

> Artcore Steppa (from Low & Feary EP, Polymorphic)
Low & Feary (")
> 80723 (from infra001 EP, Infrasonics)
> 81012 (from infra002 EP, Infrasonics)

Bonus: Gravious > Vultures (from Futurist EP, Highpoint Lowlife - nagging, weighty & just part of a torrent of goodness forthcoming on the outstanding HPLL...)

NB: mostly lo-res files here - full 320s from Infrasonics, Polymorphic & HPLL. 

Photo by i, max

Important: LMYE only makes music available that artists/labels have chosen to share freely. Let us know if something here shouldn't be.

Wednesday, 6 May 2009

Fluttering collisions (re-up)



Last week's post remains un-Hyped, so here's a re-up...

Burial versus Four Tet > Moth Extracts (from Moth/Wolf Cub 12", forthcoming shortly on Text - though may already be sold out...)

"A collaborative release shrouded in darkness (hence the artwork, no sales notes, no audio, no promos). Just a solitary twelve, two sides crafted by two of the most innovative producers of the last twenty years" is Bleep's take. Ours? 

Two fluttering collisions - the first exactly as you'd expect B4T to be, a sort of quavering harp & warble over that clunk-click beat; the second more KH than WB, a piece of breathy, four to the floor prettiness...

@joemuggs indicates album to follow: please, yes. 

Important: LMYE only makes music available that artists/labels have chosen to share freely. Let us know if something here shouldn't be.

Thursday, 30 April 2009

Fluttering collisions



Burial versus Four Tet > Moth Extracts (from Moth/Wolf Cub 12", forthcoming shortly on Text - though may already be sold out...)

"A collaborative release shrouded in darkness (hence the artwork, no sales notes, no audio, no promos). Just a solitary twelve, two sides crafted by two of the most innovative producers of the last twenty years" is Bleep's take. Ours? 

Two fluttering collisions - the first exactly as you'd expect B4T to be, a sort of quavering harp & warble over that clunk-click beat; the second more KH than WB, a piece of breathy, four to the floor prettiness...

@joemuggs indicates album to follow: please, yes. 

Important: LMYE only makes music available that artists/labels have chosen to share freely. Let us know if something here shouldn't be.

Friday, 20 March 2009

Shuffle & shimmer



Mesmerising shuffle & shimmer in a subtle, distinct take on dubstep (Japstep?): quarta330's ASUTATA50 (from MO'ZX EP, Maltine)


Thanks to the ultra-prolific & sharp-eared Sonic Router for the tip. 

Past quarta releases/remixes: this & this (both Hyperdub). 



Important: LMYE only makes music available that artists/labels have chosen to share freely. Let us know if something here shouldn't be. 

LMYE now Twittering...

Thursday, 26 February 2009

Navigating Navapolatsk



Lovely, dubby squelch from cross-border collaborations with Belarus, curated by ~scape: Pole vs I/DEX > Track 3, Pinch meets Pavel Ambiont > 1_18 (both from the forthcoming Connections, neither track title particularly reliable...).

Blurb: ""Connections" is a forthcoming compilation to be released in collaboration with scape early 2009, available for free download. Showcasing a diverse range of artists in electronic, club and experimental music, the compilation breaks through the EU's eastern limits to bring together producers and musicians from Western Europe and Belarus. "Connections" is funded by the ECF, as well as the Goethe Institute Minsk, Polish Institute Minsk, Swedish Institute and Pro Helvetia. Curated by scape, Unsound festival and IN-Touch."


PsyPhotos by Pavel Ambiont

Bonus: I/DEX's fine Scalene (from Seqsextend, Nexsound).

More, possibly related Belarussion collisions tomorrow night, should you find yourself in Minsk with time on your hands (featuring both I/DEX & Pavel Ambiont, plus Frank Bretschneider & Alva Noto - together, seemingly):


All of this hybrid ~scapery reminds me that the new Round Black Ghosts is out & no doubt essential...

Important: LMYE only makes music available that artists/labels have chosen to share freely. Let us know if something here shouldn't be.

Wednesday, 11 February 2009

Tightly spacious



Courtesy of the excellent No Pain in Pop, a compelling, crafted slab of tightly spacious boundary-blurring: Martyn mini-mix (lo-res version of a Rough Trade bonus with the imminent Great Lengths...).

Unconfirmed track list: 

Can - Future Days (Carl Craig Blade Runner mix) (white label)
Martyn - Vancouver (3024)
Martyn - Hear Me (3024)
2562 - Old Town (unreleased)
Pangaea - Router (unreleased)
Martyn - Twenty Four (3024)
Flying Lotus - Roberta Flack (Martyn’s Heart Beat mix) (Warp)
Martyn - Vancouver (2562 off dub) (3024)
Martyn - Natural Selection (acapella) (3024)
Martyn - Natural Selection (Flying Lotus conference clense mix) (3024)



Monday, 19 January 2009

Immense non-cyclicality



No doubt basking in the proud glow of having powered into LMYE's highlights of 2008 (well, possibly...), iTAL tEK is emanating love to the world. Not content with sharing a mix of forthcoming tracks via MySpace last month, he's now flipped out a titanic unreleased track. 

Immense & relentless yet floatingly ethereal, Double [zShare] was intended to be part of Cyclical (Planet Mu), "but I decided it didn't quite fit at the last moment". 

A new 'tEK EP to follow this spring, apparently


Tuesday, 13 January 2009

Fish fry



As threatened, more from the sometimes Mushy & often fine
Fisk Industries: this lovely, sombre thing (Moieties Part 2, from the EP 77 & Rising), for starters. Also, this almost equally lovely one (Can't Breathe, from The Isle of Wight EP).

Mat Fisk is a mainstay (designer, output fiend) of the part-netlabel Highpoint Lowlife. From his five web releases: a refreshingly clanking kitchen sink Brassica remix of Blood (from Magnetic Fisk Remixes); a subtle, long-unfurling Yard dub of Crowley (ditto); & the sweetly, crisply swirling Shadow (from Triptych).

He's also the spectral Orientalist sort of-dubstepper Kwaidan, or was once: Masaki [excerpt] (from Kwaidan digital 12").

More in this vein, though live & under the FI banner (& without the Japanese mystics), here.




Saturday, 27 December 2008

Class of 2008, part 2



It was a struggle to be particularly contemporary in 2008: my fault, of course, not the year's - much of what I listened to was released in the previous 50 or so years (often finally catching up, years late...). But responding to ah's very welcome Christmas post, here's a sister list of 15 more of the year's stand-out albums from an LMYE vantage point:


Aidan Baker/Tim Hecker - Fantasma Parastasie (Alien8)
Gavin Bryars/Philip Jeck/Alter Ego - The Sinking of the Titanic (Touch)
Carl Craig/Moritz von Oswald - Recomposed (Deutsche Grammaphon)
Four Tet - Ringer (Domino)
Fuck Buttons - Street Horrsing (ATP)
Headhunter - Nomad (Tempa)
Ezekiel Honig - Surfaces of a Broken Marching Band (Anticipate)
Philip Jeck - Sand (Touch)
Pedal - Pedal (Staubgold)
Solo Andata/seaworthy/Taylor Deupree - Live in Melbourne (12K)
Sunken Foal - Fallen Arches (Planet Mu)
Various - Dub Step All Stars Vol. 6 (Tempa)
Various - Ghostly Swim (Ghostly)
Various - Lagos Shake: A Tony Allen Chop-Up (Honest Jon's)
Christopher Willits/Ryuichi Sakamoto - Ocean Fire (12K)



& a deeply unfashionable extra that charmed these ears anyway:

Portico Quartet
- Knee-Deep in the North Sea (Babel/Vortex)

I suspect Lawrence English, Jacaszek, Klangwart, Mapstation/Paul Wirkus, Juana Molina & Shed would all be pushing for a place in our Group of 30 too if I'd heard more than a track or two from them...

May also have to have a go at this year's Grouper, given how highly ears that I rate rate it.

Few kosher giveaways to hand to accompany all this. But here's one, beefed up with a blast from the past & a couple of extracts from one of my best backwards-looking discoveries of the year:

Scanner - I Cannot Forget

Tortoise - Seneca (from Standards, Thrill Jockey)

Keith Fullerton Whitman - Multiples extract & another (Kranky)

Wednesday, 24 December 2008

Class of 2008



Here is a list of some of the best albums from 2008 and I hope it will encourage further investigation. Some of these have been mentioned on other blogs but they all produce the kind of music we like here at LMYE.

2562-Aerial

Arve Henriksen-Cartography

Eine Kleine Nacht Musik-Eine Kleine Nacht Musik


Fennesz-Black Sea

Gang Gang Dance-Saint Dymphna

Gas-Nah und Fern

Goldmund-The Malady of Elegance

Hauschka-Ferndorf

Helios-Caesura

iTAL tEK-Cyclical


Kelpe-Ex-Aquarium

Max Richter-24 Postcards

Quiet Village-Silent Movie

Monday, 22 December 2008

Polar clarity


Stung by LMYE's thundering denunciation - well, possibly - ~scape have sorted their Pole giveaway. It's now soared past its original 12 seconds (which you'd probably be right in assuming was more a reflection of my fuck-wittery than any fault of theirs...) to the full six minutes-plus: frohliche Weihnachten!

Alles Klar (originally from the monstrous Round Black Ghosts compilation) isn't Pole's finest moment - try the widget of 1 below for some of that. But on the basis that inferior Pole is superior to most everything else around, its mesh of restrained percussive skip, wild spurts of noise & a fat farting bass - a fairly experimental take on dubstep - needs a listen...

Delighted to see that Herr Betke is touching down in the UK this spring - & even more excited by the prospect of him, Herr Jelinek & other ~scape-sters at BEMF in Brussels a week later (an event so cutting-edge its venue doesn't yet acknowledge it...).




Saturday, 26 July 2008

Bristol fashion



Seemingly bottomless Bristolian bass on Black Acre: Marlow's Once Upon A Time Called Now (from this 12")...

NB: link removed due to inadvertent violation of LMYE's 'nothing under one year old' policy - though track has been made available in a Howie B selection.

Marlow mix.

Wednesday, 23 July 2008

Insect takes flight

Lovely, spacey giveaway today: The Bug's brilliantly measured, hugely atmospheric & wryly funny Flying [zShare] (from this forthcoming 12").

More Bug goodies: Kode9's 17-minute mega-mix of London Zoo.

Live:

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