"An arbitrary succession of more or less irritating sounds"
Showing posts with label dub. Show all posts
Showing posts with label dub. Show all posts

Monday, 29 November 2010

Raster Man Vibration



Bass-bin quaking lounge-noir slowcore electro-funk cinematic-space-dub from Raster Noton’s stealth bomber, Jens Massel, aka Senking. His slow’n’low creepshow sound has been sneaking around some years now, and just put out a tremendous Pong, ostensibly inspired by the early cult video game.



Raster blurb: “SENKING -- PONG -- referring to the classic video game -- is Senking's fifth release on raster-noton, moving its focus on stretched dubstep rhythms. To these slow motion grooves, he adds shredded melodies, sub basses and echoes, which create an atmosphere like an Angelo-Badalamenti-soundtrack known from David Lynch's movies. His electronic sound aesthetic reflects rather an organic texture than a machine made algorithm. In tradition of former dub producers, he generates his tracks while playing, and therefore they appear to be momentary. They are aware of the club, but do not want to serve it. At Berlin's CTM 2010 Senking proofed that PONG can be massive on stage as well.

Some years ago in a review elsewhere of previous release, List, was this: “His deployment of the grumble of analog synth-bass and noir-ish melody snags a semiotic of classic 70s film soundtrack.” Prescient, as it turns out, since a 70s-themed video recently went up on youtube, to which "V8" from Pong, is the retro-fitted soundtrack - starts out quirky (and watch out for ass wobble vs. bass wobble!), but be warned, as gorecore filmscene edit mayhem comes late on (from around 3:38). Whacko!



And a further subtly sinister Pong emanation, "Painbug in My Eye", displays an elliptical blend of Massel’s muscle and sound design chops:

Senking - Painbug In My Eye by ericstein

Important: LMYE only makes music available that artists/labels have chosen to share freely. Let us know if something here shouldn't be.

Tuesday, 29 June 2010

158 Bleecker?



Dubby menace, spiralling squirts & tones,
reflective Bitches Brew minors, & future sheen degraded into blurry, puffy washes - all flogged along by oil drum percussion once again, but framed now by a venue acoustic & studded with appreciative yelps: the sound of the Moritz von Oswald Trio Live in New York.

Was it their US debut (February 6 at Le Poisson Rouge)? I assume not, since that had ReComposed orchestral action. But I shouldn't be getting into this, as I've really no idea & Honest Jon's aren't saying...

Anyway, a resequenced (extracts #4, 1, 3 & 2, fellow trainspotters!) LMYE hack of samples from the forthcoming album - a companion to our earlier bodge of Vertical Ascent.



Absent any decent footage of MvOT in NY, two slants on their recent performance in Detroit:





Interview. & another (video, way longer).

Moritz von Oswald Trio > Live in New York [extracts] / [lo-res] (from Live in New York, Honest Jon's)



NB: photos by pablosanz.

Important: LMYE only makes music available that artists/labels have chosen to share freely. Let us know if something here shouldn't be.

Friday, 24 April 2009

Erupting Light


Icelanders may have to down their Blackberrys and get back on the trawlers to pay off that hefty debt but they can still produce some fine tunes in the meantime. First up, an austere cello piece entitled Erupting Light from new album Without Sinking by Hildur Gudnadottir. The second offering is a minimal dubby techno track Coconut Rice from Icelandic producer Yagya. The track is available on the Intellingent Toys 5 compilation at net label Sutemos. Yagya's new release Rigning is out now and thanks go to blog Headphone Commute for featuring both artists recently.

Important: LMYE only makes music available that artists/labels have chosen to share freely. Let us know if something here shouldn't be.

Tuesday, 19 August 2008

Pole position



#1 in an occasional series: Fantasy Remixes...

The re-release of Pole's staggering 1, 2 & 3 on ~scape makes me want to hear his huge talent in other contexts. A dose of all that smear & buzz & textured dubby weight would do wonders for LTJ Bukem's gorgeous but perhaps too perfect Horizons (from Logical Progressions, Level 1) - imagine its glossy brilliance reframed by the spacey crackle of Pole's Fragen (from 1), say.

Sunday, 29 June 2008

Suitably spacey, nicely off-kilter



Welcome news today that the very fine
Marconi Union are self-releasing a new album of their dense, dubby ambientronica, A Lost Connection, at the start of next month. Hear a couple of suitably moody tracks - Endless Winter & Transient - at their MySpace now (while you're at it, check out their b:dum b:dum spin-off - why isn't this monstrous, bass-drenched music available?!)

Download MU's suitably spacey, nicely off-kilter remix of their own
Buildings Without People here.



& to mark the occasion,
The Contact (from debut Under Wires & Searchlights, now available from MU themselves...) & Interlock by Frank Bretschneider & Taylor Deupree (from Balance). Arguably, the sumptuous latter track is more representative of more recent MU - & certainly of MU/dotca's 'microsound' mixes (see here).

Video:

Thursday, 12 June 2008

Tiki-taka



Tikiman/Paul St. Hilaire is the commanding, supplicating voice of much of the great Rhythm & Sound/Burial Mix output that LMYE's been celebrating lately (see here, here & here).

Besides his own Basic Channel-linked label (False Tuned), he collaborates pretty constantly & widely - including with Apparat & Modeselektor last year: check out the ferocious live workout of
Let Your Love Grow on Things To Be Frickled, or the marginally more restrained version on Happy Birthday...

He was also on Soul Jazz's first Box of Dub dubstep compilation last year.



Here's some other non-Rhythm & Sound outings (Main Street isn't too far from its BC cousin, granted, but anyway...) - several G-Stone sessions among them:

Dub in a Nutshell ft. Paul St. Hilaire > You Never Know [SoulPhiction Mix] (from Motorsoul Vol.1)

Main Street feat. Paul St. Hilaire > Acting Crazy [Club Vocal] (from Round One to Round Five)

Mind over Midi featuring Tikiman > Revelation (from World Dub Pastry)

Rodney Hunter feat. Paul St. Hilaire > Vampire (from Dub Club - Picked From The Floor EP)

StereoTyp meets Tikiman > Jahman [Original Version] (from My Sound)

Live:


Friday, 22 February 2008

Marconi microsound



Although it's gone a bit quiet lately, there's an exceptional set of dense, subtle microsound mixes by or involving the fine
Marconi Union (MySpace/Wikipedia) & fellow dubby ambientronica Dotca label mates like b:dum b:dum.

One of the best of these is the most recent (though hardly super-fresh, since it dates from last May), Prospector's
7.0 [NB: file is 31MB].

Includes such LMYE favourites as
Pan-American, Stars of the Lid & Frank Bretschneider, plus Eno (with Robert Fripp). Also MU themselves & Cliff Martinez (minor drummer legend reinvented as a film composer, responsible for the mesmerising soundtrack to the 2002 remake of Solaris).

[NB: Boomkat
claim that Eno asked MU to supervise the remastering of something of his, which is quite a compliment if true... There's certainly some connection since All Saints released the second MU album, Distance.]

7.0 is here for your convenience. 3.0 & 4.0 are also both outstanding. All the Dotca mixes are downloadable
here; some tracklistings are given too.

Here's some full-length versions from artists/tracks in 7.0.

Pan American - Wing (from Quiet City)

Stars of the Lid (MySpace) - Broken Harbors, Part 1 (from The Tired Sounds of Stars of the Lid)

Frank Bretschneider & Taylor Deupree - Interlock (from Balance)

Fripp & Eno (Fripp MySpace) - Meissa (from The Equatorial Stars)

Cliff Martinez (MySpace) - Don't Blow It (from Solaris S/T).

MU -
The Contact (from Under Wires and Searchlights)

More Martinez in this wonderful Solaris clip:

Monday, 18 February 2008

Value of defiance



Hard to capture now the almost shocking impact of the NME's C81 compilation tape back there in 1981 (well, on one deeply reverential teenage NME reader, at least, & quite possibly a few more...). Simon Reynolds has called it "post-punk's swan song", apparently, but that doesn't quite get the shift to a more diverse &, crucially, poppier aesthetic that this little £1.50 (& two coupons) tape encapsulated.

Which would, in turn & in time, lead to the whole mutant disco/punk-funk genre - particularly once house & Ecstasy had allowed a critical mass of earnest British white boys to loosen up & even deign to get on to the occasional dancefloor. New Order's career is a neat summary of this arc, as many people have pointed out.

Anyway, the C81's best track - & one that exemplifies the shift to a new pop sensibility at the start of the 1980s - is its first, Scritti Politti's The "Sweetest Girl".

Readers born into the digital era's luxury will have no conception of how insanely difficult it was then to hear non-chart music, even with two hours of John Peel a night. Often you had to guess what it might sound like on the basis of NME reviews. But by reputation Scritti were deeply unlistenable - tunes not really being the point for crusty Marxist squat-punks (though in fact Green had his falsetto going even back at the time of Skank Bloc Bologna's one-riff guitars & thrashed cymbal...).

So dishing up one of the most perfect pop songs of all time was fairly unexpected. For a raincoated gloomster, it made moods other than anguished Joy Division-ish melancholia possible for music & opened the door to other C81 delights, such as D.A.F, Josef K & even James Blood Ulmer & Linx.

Girl's effortlessness & lightness owe a lot to its delicate little drum machine track, dubby echoes & piano vamp (by Robert Wyatt, allegedly). Note how it smuggles in semiotics & self-referential meta-criticism ("The sickest group in all the world - how could they do this to me?") under the cover of its gorgeous vocal.

AMG call it "peerless block of lovers rock-inspired synth pop". Certainly, nothing in Green's long & - after a bit of a mad hiatus - ongoing career was ever as good.

You can get it on the Early compilation or on Songs to Remember.

C81s aren't easily come by, but try eBay.

Bonus track: the harder but also pretty sublime Lions After Slumber.

Check out the Scritti obsessives site bibbly-o-tek.

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