As if a Julius Eastman find were not enough, another reason to celebrate Bandcamp's inspiring $700k fundraiser for Transgender Law Center back in August: the flood of outstanding new (not so new now, admittedly...) music from artists in the LMYE pantheon - some of it explicitly part of the initiative, some more understatedly pushed out on the day, but all worth your time. The moment has long passed for qualifying purchases, of course (though no doubt TLC would appreciate anything you want to donate directly). But the generosity & creativity on display that day are still resonant.
Highlights: the first new sounds from Alex Cobb & Mike Shiflet in a while (the former all rich, enveloping warmth, the latter an intense, splintering immersion); Ryan Potts' Aquarelle resurfacing after an even longer absence with the glorious, strikingly 'composed' Leave Corners; a glowing, gradually unfurling long-form piece by anthene (one of the artists these ears have spent most time with this year); the subdued/subsuming debut of Gailes (the duo ofRafael Anton Irisarri & Benoit Pioulard/Thomas Meluch); a joyfully lugubrious "waiting area soundtrack until the next full length Pinkcourtesyphone album this Fall" from Richard Chartier; & a forgotten Grouper delicacy (mastered by Irisarri, incidentally) that "amidst chaotic and painful political times, while working on another project, reemerged & made more sense."
Important: LMYE only makes music available that artists/labels have chosen to share freely. Let us know if something here shouldn't be.
More plenitude from Futuresequence - a fourth gargantuan freepilation (ahem) from the increasingly active magazine-cum-label (now up to six commercial releases). Like its predecessors,SEQUENCE4is a somewhat overwhelming, sprawling 42-track smorgasbord (yes, fellow trainspotter, 2 did indeed have a sequence-upsetting extra serving: but anyway...).
With a slight bias to Canadian contributors - less a late acknowledgement of Canada Day, more a reflection of LMYE's 'taste' - here's what these ears & eyes grabbed on to on a first pass: intensely building Aquarelle, fuzzily bucolic Black Elk, divertingly clonky Le Berger, finely restrained Radere, aptly lyrical Nobuto Suda& darkly hovering Damian Valles (whose Nonparallel on Experimedia is even better & demands its own post...), plus videos of the finely filmic Loscil& Wolf Maps' warm washes.
But with another four such octets on offer (Raven's chewy Sleeping Dogs Lie is in another post in preparation here, to take just one example...), plus change,this baggy monster clearly merits a deeper dig.
Getting high on Ben Fleury-Steiner, Alex Cobb & Aquarelle’s heady deliveries on Low Point, LMYE label of 2010, the former with The Places That Find You, download here and white vinyl LP released tomorrow, the latter with a Split EP, download here, also with LP to follow.
The collusion of Alex Cobb & Aquarelle on Split LP is not their first association, with Students of Decay boss Cobb releasing the latter’s last waxing (see your LMYE scribe’s scribblings here, and, while you’re at it, there’s previous here). Aquarelle is sound artist and curator of Rest + Noise, Ryan Potts, originally from Wisconsin and currently a resident of Toronto, Canada. Alex Cobb, previously recording as Taiga Remains, under which alias he gave us Ribbons of Dust one of the finest ever minimal guitar drone albums (clips here, and here), originally separate 3”s on his own Students of Decay, then later collected as a full-length on Root Strata.
Coming soon to a Low Point near you: another split LP, this from Jefre Cantu-Ledesma (previously) with another friend of LMYE, P Jørgensen; there’s also the promise of further Pointed Lowings from Kyle Bobby Dunn, Nickolas Mohanna. and Ex-Easter Island Head.