"An arbitrary succession of more or less irritating sounds"
Showing posts with label spoken word. Show all posts
Showing posts with label spoken word. Show all posts

Sunday, 20 November 2016

Whispers, torn paper


So endlessly creative & so relentlessly collaborative are Jan & Romke Kleefstra that it's disconcerting to find that LMYE's favourite Friesians have gone over a year without a formal release. But the hiatus is over, thankfully.

A trio of new & imminent albums starts with the long-gestated first offering of their venerable Tsjinlûd collective - a book ('full colour hard cover, with black & white contents, containing photography, drawings, paintings and poetry by all seven Tsjinlûd-members') & CD package. Mixed, edited & graphic designed by the great Machinefabriek - the Kleefstras' partner in Piiptsjilling - it is freighted with their characteristic drowsy, somehow ceremonial atmosphere but takes on a chattering, hall of mirrors quality through the collective's salty suite of North Sea voices. 

In addition, the brothers' trio with fellow Tsjinlûddite Anne Chris Bakker has new cassettes due soon on both Low Point (previously responsible for KBK's lovely Griis) & Tombed Visions. A richly, darkly droning instalment of the former - some of which was previously on Ambientblog.net's 10th anniversary collection a year ago - emerged yesterday...


















Important: LMYE only makes music available that artists/labels have chosen to share freely. Let us know if something here shouldn't be.

Wednesday, 15 July 2015

Puddles of light


Compelling, expansive sounds from recent collaborators (Naked Island) Felicia Atkinson & Brian Pyle - FA in another trans-Atlantic, male/female pairing (La Nuit), this time with Peter Broderick


Where La Nuit's Road Snakes is a writhing, echoing vamp adhesively shaped around that intimate but distant voice's swerves between English & French, Ensemble Economique's From The Train Window, Red Flowers On The Mountain is all lulling wide-screen stillness - a tranquil, glowing tone poem. 

Broderick on La Nuit: "after she left I treated those words as lines of an opera under which to make a ghostly string arrangement"...






Back-dated bonus tracks:






NB: artwork at top by Felicia Atkinson. 


Important: LMYE only makes music available that artists/labels have chosen to share freely. Let us know if something here shouldn't be.

Thursday, 9 September 2010

Panoramic window



Saddle up with LMYE hero David Byrne as he holds forth, in a just slightly too rapid voice that you might choose to hear as live commentary from the road, on the joy & zen of pedal power: the giveaway introduction to the gently augmented ("a cross between a podcast and a radio show") audiobook of his musing, digressing Bicycle Diaries...


"That same sense of liberation I experienced in New York recurred as I pedaled around many of the world’s principal cities. I felt more connected to the life on the streets than I would have inside a car or in some form of public transport: I could stop whenever I wanted to; it was often (very often) faster than a car or taxi for getting from point A to point B; and I didn’t have to follow any set route. The same exhilaration, as the air and street life whizzed by, happened again in each town. It was, for me, addictive.

This point of view—faster than a walk, slower than a train, often slightly higher than a person—became my panoramic window on much of the world over the last thirty years—and it still is. It’s a big window and it looks out on a mainly urban landscape. (I’m not a racer or sports cyclist.) Through this window I catch glimpses of the mind of my fellow man, as expressed in the cities he lives in. Cities, it occurred to me, are physical manifestations of our deepest beliefs and our often unconscious thoughts, not so much as individuals, but as the social animals we are. A cognitive scientist need only look at what we have made—the hives we have created—to know what we think and what we believe to be important, as well as how we structure those thoughts and beliefs. It’s all there, in plain view, right out in the open; you don’t need CAT scans and cultural anthropologists to show you what’s going on inside the human mind; its inner workings are manifested in three dimensions, all around us. Our values and hopes are sometimes awfully embarrassingly easy to read. They’re right there—in the storefronts, museums, temples, shops, and offi ce buildings and in how these structures interrelate, or sometimes don’t. They say, in their unique visual language, “This is what we think matters, this is how we live and how we play.” Riding a bike through all this is like navigating the collective neural pathways of some vast global mind. It really is a trip inside the collective psyche of a compacted group of people. A Fantastic Voyage, but without the cheesy special effects. One can sense the collective brain—happy, cruel, deceitful, and generous—at work and at play. Endless variations on familiar themes repeat and recur: triumphant or melancholic, hopeful or resigned, the permutations keep unfolding and multiplying.

Yes, in most of these cities I was usually just passing through. And one might say that what I could see would therefore by definition be shallow, limited, and particular. That’s true, and many of the things I’ve written about cities might be viewed as a kind of self-examination, with the city functioning as a mirror. But I also believe that a visitor staying briefly can read the details, the specifics made visible, and then the larger picture and the city’s hidden agendas emerge almost by themselves. Economics is revealed in shop fronts and history in door frames. Oddly, as the microscope moves in for a closer look, the perspective widens at the same time..."

Full intro text. Some pics with excerpts. David's nine New York bike racks. Cities, bicycles and the future of getting around tour.

David Byrne > Bicycle Diaries - Introduction (from Bicycle Diaries, self-released (?) audiobook)

Important: LMYE only makes music available that artists/labels have chosen to share freely. Let us know if something here shouldn't be. Top photo by Matthew Rankin.
Go to Beatport.comGet These TracksAdd This Player