A new William Basinski & Richard Chartier collaboration? Five years since their first (eight, arguably, if you date back to the original Spekk release)? Don't mind if I do...
Below hear "a brief excerpt. for now... tentatively Untitled 4" - so magnetic & so essential that even the posturing grandiloquence of an LMYE Track of the Day cannot cheapen it. Due (on Line) next January.
Spotify playlist (including Garden of Brokenness - "“Richard contacted me about a possible collaboration and sent me a track which I thought was very rich and harmonically similar to something I had recently been working on, a very swampy, dark piece I was calling “The Garden of Brokenness” after a very beautiful new installation by James Elaine..."
The new year already, but these ears are still clinging to 2011...desperately & rather absurdly trying to hear everything & anything released in the old year that might bear on our Festive 50 + 50.
Anyway, time to commit: this expanded iteration of past year-end list-making once again tries to get round the one-eyed arbitrariness of shoe-horning all the vitality of a year's listening, the tangents, blind alleys & inevitable shifts, into a handful of its 'best' releases. This time out we're picking an extra 50 exceptional releases/artists alongside the 50 that stood out most for us.
With the flood of tape & digital releases, as well as the growing tendency to collaborate, facilitating greater output from many LMYE staples, we've also shifted focus somewhat - from individual releases to artists. So we'll end up after tomorrow's further half-century with a hundred great music-makers of 2011, & a rather higher number of their releases...
As last year, our joint picks are not an elite within the 50. Rather, they are simply the common ground between two co-authors whose separate choices give some flavour of our generally slightly different emphases.
Festive 50 Black Swan :: In 8 Movements/The Quiet Divide (Experimedia) / Kyle Bobby Dunn :: Ways of Meaning (Desire Path) / Emuul :: The Drawing Of The Line (Digitalis) / Lawrence English :: Acute Inbetweens (w/Stephen Vitiello; Cronica)/The Peregrine (Experimedia) / Father :: Return of Father (Root Strata) / Chihei Hatakeyama :: Mirror (Room40) / Tim Hecker :: Dropped Pianos/Ravedeath, 1972 (Kranky) / Stephan Mathieu :: A Static Place (12k)/Remain (Line)/To Describe George Washington Bridge (Dekorder) / Pillowdiver :: Elliott, Lou & Bill (Twisted Tree Line) / Benoît Honoré Pioulard :: Plays Thelma (Desire Path) / Janek Schaefer :: Double Exposure (
Cronica)/Phoenix & Phaedra Holding Patterns (Spekk) / Steinbrüchel :: Narrow (Room40) / Nicholas Szczepanik :: Ante Algo Azul (self-released)/Please Stop Loving Me (Streamline)/ talkingmakesnosense :: Coruscates (Rural Colours) / David Wenngren & Christopher Bissonnette :: The Meridians of Longitude and Parallels of Latitude (Home Normal) (joint)
Frank Bretschneider :: Komet (Shitkatapult) / Conforce :: Dystopian Elements (Delsin) / Ben Fleury-Steiner :: Places that Find You (Low Point) / Function :: Ember (Sandwell District) / The Garden :: In Sea-land (Install) / Inward Content :: Inward Content (Meanwhile) / Kangding Ray :: Or (Raster Noton) / Laurel Halo :: Hour Logic (Hippos in Tanks) / Lucy :: Wordplay for Working Bees (Stroboscopic Artefacts) / Maps and Diagrams :: Get Lost (Time Released Sound)/The Town Beneath the Sea (Nomadic Kids Republic) / Sean McCann :: The Capital/The Sky Is Filled With Incredible Wishes (Aguirre)/Prelusion (Recital) / Yves de Mey :: Counting Triggers (Sandwell District) / Regis :: In a Syrian Tongue (Sandwell District) / Sandwell District :: Feed Forward (Sandwell District) / Spheruleus :: Voyage (Hibernate) / Vatican Shadow :: Washington Buries Al Qaeda Leader At Sea/Yemeni Commandos (Hospital Productions) / Willamette :: Always in Postscript (Own)/Echo Park (Infraction) (al)
Bee Mask :: Canzoni Dal Labatorio Del Silenzio Cosmico/Elegy for Beach Friday (Spectrum Spools) / Black to Comm :: Coldplay, Elvis & John Cage (En/Or) / Billy Gomberg :: Give Or Give In (Digitalis)/Only The Sun For Our (Students of Decay)/Quiet Barrier (Rest + Noise) / i8u :: Surface Tension (Murmur) / Jan & RomkeKleefstra :: Sieleslyk/Tongerswel(Gareth Davis/Jan Kleefstra/Romke Kleefstra;Rural Colours/Home Normal)/Deislieper (Kleefstra-Pruiksma-Kleefstra; Hibernate) / Le Berger :: Everything is everything else/Expeditions on the Grayscale (one tiny, two medium and a grand one) (self-released) / Jon Mueller :: Alphabet of Movements (Type) / The Necks :: Mindset (ReR) / Pimmon :: Lay Down Real Slow (Stunned)/The Oansome Orbit (Room40) / Preslav Literary School :: Alamut (Corvo)/La Reflexion du Tir (Full of Nothing) / Quiet Evenings :: Gold Coast (Rotifer/Hooker Vision)/Intrepid Trips (Hooker Vision)/Spirit Smoke (Kimberly Dawn)/Transcending Spheres (Preservation) (plus any amount of QE strands Motion Sickness of Time Travel & Nova Scotian Arms, but especially Crystal Anniversary (Aguirre) / Alexander Rishaug :: Shadow Of Events (Dekorder) / Richard Skelton :: *SKURA - A Collection (Sustain-Release) / Colin Stetson :: New History Warfare Vol.2: Judges/Those Who Didn't Run (Constellation)/
New History Warfare Vol.1 12" (Aagoo)/ Svarte Greiner :: SGAR (w/Alexander Rishaug; self-released)/Twin (Type) / Ricardo Villalobos & Max Loderbauer :: Re: ECM (ECM) / CM von Hausswolff :: 800,000 Seconds In Harar (Touch) / Xela :: Exorcism (self-released) (JL)
NB: Deaf Center's Owl Splinters (Type), the Piiptsjilling/Kleefstra contributions to Peter Broderick and Machinefabriek's Mort Aux Vaches (Staalplat) & Greg Haines w/ Mariska Baars & Sytze Pruiksma/Piiptsjilling/Heather Broderick & Nils Frahm's Seelocht (Into The Great Wide Open) &, to stretch incorporation rather further, Machinefabriek & Gareth Davis's Ghost Lanes (Dekorder) are honorary parts of the JL list through Greiner & Kleefstra too...
A welcome pretext to revisit Jefre Cantu-Ledesma’s blissed and blown out epic, Love is a Stream, among the best of an uneven year for Type, is its appearance in vinyl, specifically the nifty bonus disc, Love is a Dream, on which head Type-ist, Xela, re-channels tracks from Stream into Dream.
'Shoegaze' has moved from among the maligned (see your LMYE resident footwear-stare commentator previously on Scott Cortez / lovesliescrushing) to being one of the genre epithets to drop when seeking to appeal to the New Ambient And Home Listening Hipster (cf. Kosmische, hypnagogue pop, cold wave, et al.). And J.C-L's first Type solo album has ridden in on the crest of this wave. It opened up a new world of shoegaze-dreampop that melded the eu- to the caco- of the phonic. Stream (and its Xela relative, Dream) is the sound of J.C-L ramping up the lowlight drone sonatas of his earlier work (see later this post) to take a walk on the wildside of bleached-out shoegaze abstraction. Sometimes summery with an upward dynamic, other times plunging cavernously, J.C-L comes on here like the bastard love-child of Kevin Shields and Tim Hecker fostered by Robin Guthrie and Fennesz, the album artfully referencing these previous while retaining its own integrity. Thrill to the sound of etiolated almost-hooks and spectral melodies buried beneath grit slurry, static flurry, and tonebent guitar motifs in a washed out tape-saturated sunburst finish.
