"An arbitrary succession of more or less irritating sounds"
Showing posts with label Marc Kate. Show all posts
Showing posts with label Marc Kate. Show all posts

Thursday, 7 December 2017

Barbaric bombast


Two valuable voices of resistance performing powerful alchemy on the basest sources - each constructed directly from ultra-right material, Marc Kate's bittersweet, stately Deface (Falling Forms) & TVO's mesmerising Hell is Empty (V I S) point to an engaged experimental ambient beyond the genre's typical apolitical stance. 

Kate "steals the music of the ultra-right [especially 'National Socialist Black Metal'], & converts anthems of hate into shimmering spells of beauty...plunderphonic compositions apply all manner of filtration & effects to render the music as barbless, extracting the harmonic material as spectral emanations from their misanthropic origins."

All the same, he combats the risk of "amusing novelty": Deface "is dolorous. It mourns. Kate’s reaction to this deeply troubling political moment resonates with a sense of loss, and reflects on the work that lies ahead if the culture is to move through and forward."  



Similarly, Ruaridh Law (TVO)'s piece - which began life as an installation on the theme of alchemy at the FIBER festival in Amsterdam - seeks to "alchemically take the basest raw material possible and turn it into something beautiful or at least worthwhile, whilst also making a comment on how easily the raw material falls apart" [quote from this recent interview]. 

Hell is Empty is generated entirely from "alt-right shithouse" Breitbart - code line by code line: "The php code of the site is the rather 'data-sounding' noise that travels through the whole piece, grabbed & converted on the fly to raw audio then stretched & pulled, & the majority of the rhythms (short of an 808 kick) are all generated by grabbing code live from the site & clipping it to short lengths. There's MIDI data & sequence data that are generated by pulling numbers out of the php code, & the drones underpinning the start & end take their pitch, resonance & harmonics from light-sensing cameras taking data from the visual part of the installation, which is a gradual breaking down of the Breitbart site into granular pixels."







Important: LMYE only makes music available that artists/labels have chosen to share freely. Let us know if something here shouldn't be.

Tuesday, 24 May 2016

speedbreakingwhatsoundalwaysbe


One of this year's more audacious & diverting 'remixes' (response or engagement might be a better way of putting it...), Marc Kate's Low blow brilliantly unleashes Bowie & Eno's inner drone: "All 11 tracks of 'Low' playing at the same time, stretched to three hours." 

That cover image (itself a manipulation of the The Man Who Fell to Earth-sourced Low cover, presumably) encapsulates this vast piece's inevitably sedimented, smeared feel. Even if its ochre strata are rather warmer...




Kate's Despairer is also delicious - especially the measured potency of I Would Do Anything For You. Except Listen (featured in the March edition of Lend Me Your Radio, LMYE's monthly SoundCloud playlist) & Abject-Oriented Ontology (another exercise in intense, stately gathering; balletic video below). 







Bonus (mastered by the great Lawrence English, no less...):



Bonus #2 (continuing the simultaneity theme):



Bonus #3:



NB: Kate is also the host of Why We Listen: a strikingly thoughtful podcast that recently featured Disquiet's Marc Weidenbaum, in whose online listening group of a few years ago LMYE's jl & al first 'met'...



Important: LMYE only makes music available that artists/labels have chosen to share freely. Let us know if something here shouldn't be.
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