Keep a Weather Eye Open

A Gareth Hardwick post pushing current Low Point releases listing Ben Fleury-Steiner forthcoming: prompted harking back to and digging out of lamentably overlooked gem from last year (March 2010 release). Ben's Keep a Weather Eye Open on the estimable Infraction got an ‘Also outstanding’ in LMYE’s Festive 50, but there's been barely a peep from anyone elsewhere on this accomplished bit of ambient-drone gear. Good pretext for bigging it up a bit.



Ben F-S lists among his ‘influences’ "Gavin Bryars, Robert Rich, Celer, and Mystery Sea," and his ‘sounds like’ as “A swell of broken and breaking emotion: beautiful shipwreck.” Sounds about right.



What the label says...

“From the inset, "Tender is the opaque morning" the scene has been set on 'Keep a Weather Eye Open' into a Bryars-esque dip into the sunken Titanic. Gently clattering china on a slow drop to the bed of the ocean, faint light filtering through. The band plays on, the notes become submerged & eventually a hymnal drone emerges repeating over and over in slow cycles. This is not the end however, as unlike the ill-fated Vessel of Sleep, this work re-emerges to the surface and into hazy light. Roughly 2 years in the making for release on Infraction - KAWEO is presented in a digipak with a 12 page color booklet in an edition of 900 copies. In addition the first 250 copies will receive a numbered, bonus 3" CDR, "Vessel of Sleep" (INFX 041) which contains 3 additional unreleased tracks, housed in a 6 panel cardstock folder. KAWEO was mastered by Robert Rich. "...from aft came the tunes of the band..... The ship was gradually turning on her nose - just like a duck that goes down for a dive. I had only one thing on my mind - to get away from the suction. The band was still playing. I guess all of the band went down. They were playing "Autumn" then." - Harold Bride, 1912.”



(What Norman Records says)

Audio samples retrievable “Feedback of Day : Sunlit in Stop Frame - Part 1” and “Vessel of Sleep – Part 3”

Keep A Weather Eye Open is dedicated to Danielle Baquet-Long.



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