"An arbitrary succession of more or less irritating sounds"
Showing posts with label Benoit Pioulard. Show all posts
Showing posts with label Benoit Pioulard. Show all posts

Friday, 9 November 2018

Past Weekness




Updating LMYE's 'My Weekness' series with a recent-ish October week of these ears' listening enthusiasms...

"coming back to music making & exploring other worlds" 

Finally picking up on this quite gorgeous, lulling Leonardo Rosado piece '180828 nocturnal 0.1' "after a long hiatus"...


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"creaking, ancient structures, buzzing rainforests & gargling subaquatic worlds" 

Finding much riches in 'foraging collagist' Chris Ruffoni's St. Olave’s Granite Labyrinth... 





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Spending time with Music For Sleep's gripping Migration...


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Hanging head & ears in shame at missing Our Grey Lives' extraordinary Cacophonies until now...




"an all-new – generally abstract, at times abject, occasionally euphoric – sonic landscape, lacking the ‘face’ but bearing traces of the source" 


"considering every song-channel as an instrument of a larger whole the essence of the original album is distilled, through a maze of analogue & digital effects paths; smoke & mirrors nuclear fallout from the planned demolition, by detonation, of an erased antecedent" 

PS unearthed in MISC. DJs - THE STORY SO FAR mixtape: "Selected bangers – ambient & not so – from our first five releases, squished together by technology for home-listening/raving/educational kix. 100% miscellaneous" 



Starting the day with the romantic blurscape of Benoit Pioulard's Slow spark, soft spoke - now in an extended edition...

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"percolating patterns of fiberglass synthetics & fluorescent melody, assembled into minimalist bio-domes of refracted light & hanging gardens": H. Takahashi's ravishing Escape

from Escapism (Not Not Fun)
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Magnificent new Pascal Savy for AUDIO. VISUALS. ATMOSPHERE - stately, poised, haunting..


From Colour Fields tape:

"...hypnagogic frames balancing wind, wave & star. Symmetric pearl timbres..."
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Some thrilling, fragile moments among the 'reinterpretations' of Antonymes' The Licence To Interpret Dreams.

Returning particularly often to Talvihorros' stabbing, swelling take on The Gospel Pass, Ian Hawgood's celestial Endlessly expansion & p jørgensen's hushing of Landscape Beyond An Open Window......





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Radiant, instructive Hotel Neon mix for the 'this exquisite pain' series...


"dense, heavy, analog textures & decay"




Important: LMYE only makes music available that artists/labels have chosen to share freely. Let us know if something here shouldn't be.

Friday, 15 December 2017

Distinct energy


As if a Julius Eastman find were not enough, another reason to celebrate Bandcamp's inspiring $700k fundraiser for Transgender Law Center back in August: the flood of outstanding new (not so new now, admittedly...) music from artists in the LMYE pantheon - some of it explicitly part of the initiative, some more understatedly pushed out on the day, but all worth your time.

The moment has long passed for qualifying purchases, of course (though no doubt TLC would appreciate anything you want to donate directly). But the generosity & creativity on display that day are still resonant.



Highlights: the first new sounds from Alex Cobb & Mike Shiflet in a while (the former all rich, enveloping warmth, the latter an intense, splintering immersion); Ryan Potts' Aquarelle resurfacing after an even longer absence with the glorious, strikingly 'composed' Leave Corners; a glowing, gradually unfurling long-form piece by anthene (one of the artists these ears have spent most time with this year); the subdued/subsuming debut of Gailes (the duo of Rafael Anton Irisarri & Benoit Pioulard/Thomas Meluch); a joyfully lugubrious "waiting area soundtrack until the next full length Pinkcourtesyphone album this Fall" from Richard Chartier; & a forgotten Grouper delicacy (mastered by Irisarri, incidentally) that "amidst chaotic and painful political times, while working on another project, reemerged & made more sense."




















Important: LMYE only makes music available that artists/labels have chosen to share freely. Let us know if something here shouldn't be.

Friday, 6 January 2012

50 + 50 Compiled


At the risk of overplaying the 50s riff, here's notice of another 50 - this being the sum of tracks selected from LMYE's Festive 50 + 50 (lookee here and here) and spun into three assemblages for LMYEers' listening (pl)leisure. Here's the first, ElevenElevations I.

ElevenElevations I by albient

The second, ElevenElevations II, is at the top of this post. The third, ElevenElevations III (see what I did there?), is over on mixcloud or just click below (n.b. it's not so much the Evil Twin as the Beaty Triplet).


Have a good trip-tych!

Important: LMYE only makes music available that artists/labels have chosen to share freely. Let us know if something here shouldn't be.

Saturday, 31 December 2011

Des res


LMYE's New Label of the Year hardly released a thing in 2011. Not much of a basis for recognition, you may think. But however minimal its output what did come out of Desire Path was exquisite - & if there's a better record in 2012 than its next release (which almost made it out this year anyway, so gets co-opted for these purposes - along with its debut release from late last year...) these ears will be very, very surprised (& thrilled, obviously)...

A label "focused on creating distinct pathways" that seeks to enable listeners (for whom it prescribes a strictly vinyl regimen) to "escap[e] to a place they may otherwise never find", DP emphasises location & journey in its output - not in the literal sense of field recordings, but rather in the recapitulation & inspiration of memory of place. This year this led us down the path to Benoit Pioulard's blurry 'lake within a haze', Thelma, & Kyle Bobby Dunn's lovely lacustrine counterpart, Chester - as well as his inviting Canyon Meadows.



I've probably got entirely the wrong end of the environmental stick. But the next of these resonant spaces, which clearly also chime with the 'sonic topographies' Solo Andata summon on Ritual, seems to be the monumental Aude of Janek Schaefer & the genuinely legendary Charlemagne Palestine.

A first taste of this unexpected pair's extraordinary collaboration, Raga de l'apres-midi pour Aude, surfaced earlier this year in a fine DP mix for Type's Typecast series - stream & download the 'cast & hear the hallucinatory, keening Schaefer/Palestine raga below.

Can ears pray? Too metaphysical for New Year's Eve, perhaps. But these ears certainly offer up a profound hope that DP manages to build on its masterful initial quartet in the year & years ahead...


Tracklist:
Kyle Bobby Dunn – Dropping Sandwiches in Chester Lake (Start-3:45) DEMO - Taken from then-forthcoming album (later issued as Ways of Meaning) on Desire Path Recordings
Antonymes – A Fragile Acceptance (3:45-10:10) Hidden Shoal
Skjolbrot – Rue Victor Masse to Gare d’Austerlitz (10:10-14:35) Self-Released
Janek Schaefer & Charlemagne Palestine – Raga de l’apres midi pour Aude EDIT (14:35-22:35) DEMO Taken from forthcoming album on Desire Path Recordings
Solo Andata – Carving (22:35-31:10) from Ritual on Desire Path Recordings
Black Swan – Movement 1 (31:10-37:27) Experimedia
Jannick Schou – 21.25 (37:27-40:51) Dead Pilot Records
Field Rotation – Acoustic Tale 3 (40:51-45:10) Fluid Audio
Ithaca Trio – For Ailing Health (45:10-End) Self-Released

Kyle Bobby Dunn - Canyon Meadows

Statuit - kyle bobby dunn
"Somber piece for an indoor swimming pool setting on a really grey day. Afterwards, going home and watching french films and an animation you forgot the name of." 




Important: LMYE only makes music available that artists/labels have chosen to share freely. Let us know if something here shouldn't be.

Tuesday, 1 November 2011

Avian circled



A darkly diverting Benoit Pioulard swag bag to follow up yesterday's post on Calder from his new Play Thelma. Besides a preview of this plangent, resonant EP ("Recorded at home throughout spring and summer 2011 with guitar, harmonium, voice, magnetic tape, bowed bells, cello, warnophone, and music box"), below hear a rewarding trio of unreleased workouts - two (including the exceptional, knotty I hate that I have this friendly face) again made domestically but in just three days back in January, & the third a stately, twangy tape loop "created on the first 60 degree day of the year"...




benoit honore pioulard - plays thelma (album preview)


I hate that I have this friendly face by Benoît Pioulard


I count my sins like pearls by Benoît Pioulard


I emptied my lungs into the dirigible by Benoît Pioulard





Important: LMYE only makes music available that artists/labels have chosen to share freely. Let us know if something here shouldn't be.

Monday, 31 October 2011

Avian circlers

Slow off the mark, as ever, but finally registered the new Benoit Pioulard EP, Plays Thelma (on Desire Path), via the lulling, blurrily ruminative Calder (today's Track of the Day, for what that's worth). 


Blurb: "Thelma is best described as a place existing in between—a lake within a haze. Against its concave mirror, the sonic territory of Benoît Honoré Pioulard—documented across three acclaimed LPs by Chicago’s Kranky label—assumes the qualities of this place and all its ephemera, warm breezes, burbling shimmers and avian circlers. During his excursions to Thelma, Pioulard rested beneath the willow and wandered in the meadow, listening, absorbing, and recording. Glimpses are contained herein, where the solace and beauty of this mysterious place resonate in travelers who care to listen.


"The release is launched at tomorrow night's 'special evening of melancholy' in Toronto. M. Pioulard (aka Thomas Meluch) will play alongside the hefty combined talents of Kyle Bobby Dunn, A Winged Victory for the Sullen & Ken Camden - a gig of the year contender if these ears were somewhat nearer Ontario...  




Benoît Honoré Pioulard - Calder




Important: LMYE only makes music available that artists/labels have chosen to share freely. Let us know if something here shouldn't be.
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