"An arbitrary succession of more or less irritating sounds"
Showing posts with label Irisarri. Show all posts
Showing posts with label Irisarri. Show all posts

Friday, 15 December 2017

Distinct energy


As if a Julius Eastman find were not enough, another reason to celebrate Bandcamp's inspiring $700k fundraiser for Transgender Law Center back in August: the flood of outstanding new (not so new now, admittedly...) music from artists in the LMYE pantheon - some of it explicitly part of the initiative, some more understatedly pushed out on the day, but all worth your time.

The moment has long passed for qualifying purchases, of course (though no doubt TLC would appreciate anything you want to donate directly). But the generosity & creativity on display that day are still resonant.



Highlights: the first new sounds from Alex Cobb & Mike Shiflet in a while (the former all rich, enveloping warmth, the latter an intense, splintering immersion); Ryan Potts' Aquarelle resurfacing after an even longer absence with the glorious, strikingly 'composed' Leave Corners; a glowing, gradually unfurling long-form piece by anthene (one of the artists these ears have spent most time with this year); the subdued/subsuming debut of Gailes (the duo of Rafael Anton Irisarri & Benoit Pioulard/Thomas Meluch); a joyfully lugubrious "waiting area soundtrack until the next full length Pinkcourtesyphone album this Fall" from Richard Chartier; & a forgotten Grouper delicacy (mastered by Irisarri, incidentally) that "amidst chaotic and painful political times, while working on another project, reemerged & made more sense."




















Important: LMYE only makes music available that artists/labels have chosen to share freely. Let us know if something here shouldn't be.

Tuesday, 26 November 2013

Our tidal flats


It's not just the national cricket team working up a head of steam down under as the year closes. Lately Australia's Room40, LMYE's label of 2011 (joint with Experimedia, trainspotters!), has unleashed a gleaming raft of essential 'editions' that add lustre not only to an already benchmark catalogue but to 2013's output more generally...

This new batch underlines the label's characteristic anti-generic open-earedness. From Eugene Carchesio's manic glitching to Heinz Riegler's therapeutic lullabies, via major statements from Simon James Philips (the gloriously, grandly pealing Chair) & Rafael Anton Irisarri (the crepuscular, clankingly pensive Unintentional Sea), this disparate outpouring somehow reaffirms the uniqueness of Room40's voice. 

Moreover, the label still has the great Chris Herbert's Constants to come (some earlier blather). A delectable, delicate freebie EP, Wintex-Cimex 83, only stokes the appetite for the return of an all too rare releaser - now due in February...

& that's not even to mention head honcho Lawrence English's magnificent collaboration with Liz Harris (Grouper), Slow Walkers - though that's a somewhat less recent vintage (even more so in the video below)... 


Simon James Phillips - Poul

moth to taper by simon james phillips  


Simon James Phillips - Set Ikon Set Remit





Rafael Anton Irisarri - Lesser than the sum of its parts


Rafael Anton Irisarri - Daybreak Comes Soon

rafael anton irisarri - the unintentional sea (excerpts)



Chris Herbert - Soft Quasars






 
Eugene Carchesio - Day 3

Eugene Carchesio - Day 12

Heinz Riegler - SLEEP HEALTH (Side A Excerpt)


Wake - Slow Walkers




Important: LMYE only makes music available that artists/labels have chosen to share freely. Let us know if something here shouldn't be.

Friday, 18 March 2011

For Nihon



Admirable curation by Keith Kenniff (Helios, Goldmund) of an album to benefit Japanese relief efforts. This instant compilation on his Unseen label, featuring a raft of ambient/neo-classicists (Biosphere, Taylor Deupree, Ryuichi Sakamoto, Sawako, Ryan Teague...), will already be out next week - with a physical release to follow.

Hear two lovely, unadorned contributions by Clem Leek & Kenniff as Goldmund below, plus a stand-out remix of Goldmund's 25 Thousand Miles (from Corduroy Road) by another participant, Rafael Anton Irissari. To these ears the subtly textured soundscape Irissari summons around the older, but similarly sober & restrained, piece - a very human patchwork of rustles & scrapes distilled from the original's accompaniment - makes it especially moving.






Note that Kevin Stephens (Saffron Slumber) is also curating a netlabel release for Japan...


Important: LMYE only makes music available that artists/labels have chosen to share freely. Let us know if something here shouldn't be.

Tuesday, 4 January 2011

Impromptu interference



A pair of reverberating, churning 'impromptu' collaborations between Fennesz & Festive 50er Rafael Anton Irisarri last July & September - the longer, more recent one eventually gushing out into a floodplain of partial resolution. The two emerge as Irisarri (a key part of one of LMYE's shows of last year, though he's too modest to acknowledge it...) makes a 'pay what you want' album of compelling live performances available via his Bandcamp.

While the London & Seattle shows were SoundClouded earlier (coverage here & here), the Milan & Krakow appearances are new - & striking. No bowed guitar judder, no lush swells - instead a lulling, crepuscular delicacy.

Fennesz + Irisarri > Live at Decibel Festival

Fennesz + Irisarri > Live at Interferenze Festival


Bonus (rated by Irisarri as one of 2010's best shows):


Important: LMYE only makes music available that artists/labels have chosen to share freely. Let us know if something here shouldn't be.

Thursday, 9 December 2010

Cloud formation



A sort of scrapbook of new treasures, & a kind of mix - an LMYE-curated selection sifted out of our SoundCloud (one of them, anyway) over the past couple of days & stuck up as an experiment (in capture, in non-writing, in satisfaction, in limits)...



I30 > Live at Triple Door (May 2010, Seattle) (via studio irisarri)

"Live performance as I30, opening for Jóhann Jóhannsson's Seattle concert at The Triple Door in May 2010. This is our interpretation of Arvo Pärt's "Für Alina," unedited. I30: Rafael Anton Irisarri - Notebook computer + bowed guitar / Phil Petrocelli - Drums + percussion / Kelly Wyse - Piano"

greg haines > with everything that breathes (rough mix)

Damian Valles > Winter Clusters

Tone Color > just passing by...

"Track 2 / Side A: A selection from the limited edition cassette release, 'Fixtures'. Out very soon on the Australian imprint, Left (field) Recordings. http://www.myspace.com/fromtheleftlabel"

Rob Theakston > I Am Waiting for You to Stop Being Mad at Me (Off the Sky Reconstruction)

relmic statute > Live4

Pillowdiver > Harrisburg Pt.1 (remix for Jasper TX) [re-up]

"since the double CD is sold out, I thought I'd share this here..."

Erstlaub > Sleepwalking Into The Underworld (via sideb0ard)

"New DVD project by Erstlaub on Highpoint Lowlife. Taking pre-orders now at http://highpointlowlife.com/ and DVD discs should be shipped within the week."



Important: LMYE only makes music available that artists/labels have chosen to share freely. Let us know if something here shouldn't be.

Monday, 29 November 2010

Practical dreamers



Arnolfini, you're spoiling us. Ahem. Sorry, but the shame of that woeful not-even pun won't stop LMYE relishing a rapid return to the Bristol waterside this week for Thursday's jaw-dropping line-up of Ben Frost & Tim Hecker (oh, & the improbably Paul Morley-approved Ekoplekz).

This not-to-be-missed "monolithic double bill featuring two true international masters of sculptured noise, deep rumbling and artful sonic contrast" is a compelling follow-up to our recent gig of the year - the only UK Room40 10th anniversary show outside the metropolis, & another laudable coup for Arnolfini.


Looking back, Rafael Anton Irisarri stood out as the Room40 night's most positive surprise. Lawrence English was magnificently intense (pump that harmonium...) & demanding of a prone audience he'd sent to the floor, while Andrea Belfi was inspiringly subtle in his agile gong & keyboard double-act. Grouper too was gripping as she floated skeins of what began as voice & guitar (but came out as whisps & shudders) over her soundtrack tapes. But, more unexpectedly, the darkly grand & resonant romance of RAI's bowed & looped live dronetronica has stayed with me.

It's tempting to draw out the links between Bristol & Seattle - a pair of soggy, slacking west coast ports - to explain Irisarri's exceptional showing, with Belfi at first providing welcome colour splashes that I'd have liked much more of (as I would of him generally & of the later LE/Grouper pairing). But the previous night's fairly similar show at Cafe Oto (stream below) gives the lie to that idea - in both cases a dronier, somewhat deprettified & foggy version of his recorded self, going beyond the fine North Bend & making me long for his next record...








Important: LMYE only makes music available that artists/labels have chosen to share freely. Let us know if something here shouldn't be.
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