OK, so Stars of the Lid will obviously be the generic reviewer’s de rigueur reference, and, yes, there’s definitely an influence from them there (where isn’t there in the current crop of slowcore-ambient-drone-cum-postclassical-home-listeningzzzzzzz?). But, derivation aside, this Geordie lot's Forecast is better, to this LMYE scribe’s ears at least, than Mr Wiltzie’s effort with his latest collaborative flame, Dustin O’Halloran, A Winged Victory for the Sullen.
Shades of early-mid Eno too (Apollo esp.). Also I can hear Kiln’s sadly unsung Thermals(Infraction) too (try this, that, and the other), esp. on the following:
Last track is just gorgeous, and wins a spontaneously instituted LMYE Award for Tuesday Track of the Day
Previously on d_rradio, Parts, from which comes this:
“The Jewelled Sea” ‘blends coastal field recordings made on holiday in Scotland with gentle ripples of processed and sequenced synthesizer sounds that provide a background swell for the minutiae of hydrophone derived flotsam and jetsam.’
“Inside Out” ‘was inspired by a rainy Sunday morning in Islington, London observing umbrella clad passers-by from a cosy hostelry and soaking up the sights and sounds of the street scene.’
“Lost in Conversation” is ‘a live improvised piece played over the complex crosstalk of multiple conversations in a busy restaurant.’
“1860 Redux” ‘revisits a phonautogram of the oldest song recording made by Edouard-Leon Scott de Martinville in April 1860. The song Au Clair de la Lune was sung by an unknown performer and the original lasts just 10 seconds. The faint warbling voice on the original is lost in a fog of hiss and distortion which makes it quite a difficult listen. I stretched and processed the sound with reverbs to create a gentle wash that fades in and out of this ambient track as a small homage and remix of the original achievement.’ (all extracted from here)
Also worth exhuming is “Luminosity” on the Futuresequence birthday compilation (FS interview him here), Sequence 1, along with 41 others, many of whom familiar to LMYE frequenters. Not got? Tsk. Freeloading ambience-chasers, over here!
On which, incidentally, anorak-clad cross-referencing LMYErs will note, Harry Meets Bartosz again:
“a yearning tumult of haunting quietude” jumps out of the mix - in the blurb accompanying A Silent, Swaying Breath, the musical mission of Harry Towell (Spheruleus and Audio Gourmet) and Bartosz Dziadosz (Pleq), that is. And what, pray, might that mission be?
Ahead of a look at Rachel Evans' fecund, sometimes mesmerising Motion Sickness of Time Travel, a densely blissy 'track of the day' from her & Grant Evans' Quiet Evenings duo - a gliding, tingling preview of their new-ish Intrepid Trips (Hooker Vision; full BandCamp stream below too)...
Blurb: "Initiation. Design. Strange talismans and insignias. The path of the Quiet Evening is revealed to the true seeker. Washes of illumination. The toadstools of fairytales and the stoned ape. The curtain is drawn."
The transfer window may have closed, but Premier League talent - Taylor Deupree! Steinbruechel! Simon Scott! - converges on our old friends ISAN as each contributes a remix of the pair's gently, twinklingly unfolding 'composite', an installation tone poem, all then packaged into a ravishing 12" for Scott's keshhhhhh label.
Hear all four compelling takes on the lambent original in a single preview below.
Blurb: "It started a couple years ago - we had been working on a sound installation for the Eastside Gallery in Birmingham. The installation was based on ambient recordings made in and around the empty gallery, also from synthesised tones played out and recorded in the same space. We then constructed a multi-layered piece to be played from un-synchronised CD players, with new layers added over a period of 9 weeks.
Sometime after it was all up and running, we sent a "composite" of the work to our friend Simon Scott as he was really curious to hear it... Simon came back to us straight away with a vision to remix and release this on vinyl for his Keshhhhhh label, along with guest remixes from Taylor Deupree and Ralph Steinbrüchel (and more to come with the future digital release).
It's been a labour of love - beautifully mastered by Lawrence English, hand-stamped labels by Carl Harris, all lovingly assembled by Simon..."