Talking of Line, as we were, ahead of Richard Chartier's revived William Basinski collaboration comes a showdown with Robert Curgenven. Built Through feels like a further instalment of the earlier Oltre's austere, challenging beauty, but though also on Line that was solo Curgenven (with a little help from Joerg Maria Zeger, his partner in TSU).
In contrast, all but one of BT's four pieces of industrial hum & whisp are based on previous Chartier work between 2000 & 2005 - then duly processed (through a 16-foot pipe organ in invariance strata's case & "a matrix of pieces for nine turntables, linear dubplates and ventilator" in acquisition eviction's...). Only displacement takes Curgenven material (Australian field recordings) as its point of departure - on through "an improvisation for binaural microphones, wine glasses, two turntables and linear series dubplate".
Blurb: " The acoustic architecture of Robert Curgenven and Richard Chartier forms a delineation of space built through dismantling the constitution of internal and external. Beyond dividing space, creating a façade or habitable zone, the perceptibility of the surface is turned back in on itself and with it a shift in the ideological and social context of the space. A seamless integration of digital and analogue, a suffusion which creates a mutual modulation, transforming purpose chosen materials—dense, undulating foundations through to stratified filaments and needle-point framework—defining the approach, the entry, the walk-through, the departure." So there...
Both collaborators have valuable solo offerings out too. Honorary Cornishman Curgenven splits a Winds Measure 12" with Will Montgomery. His share is the richly crackling "impossible topology" of Looking for Narratives on Small Islands - an extract of which loomed out of futuresequence's first mega-compilation last summer.
Meanwhile, at the opposite end of his admirably broad spectrum Chartier's pinkcourtesyphone alter ego ("the sonic essence of some nicely dressed 1960s housewife wistfully peering out her window while reclining on some lovely couch or divan, with, of course, a slowly sipped cocktail and perhaps half of a Valium") surfaces with a playful, deviantly post-pop debut "formed from places, plastics, and particulars during 1997, 2004, and 2011".
Foley Folly Folio is also a debut for the sub-label Line Segments. This "will highlight some, perhaps, very non-LINE-like works. Works that stray from the norm... more maximal, maybe... louder, maybe... noisier maybe... beat-oriented, maybe. So many possibilities... a chance to showcase some things LINE loves."
Other voices populate the indisputably more maximal (though none too beat-oriented) FFF, particularly wishful wistful wanton's woman-child. Chartier's tongue features too - wedged firmly in his mouth, terming the release "lugubrious" & himself "considered by some to be quite fancy" & characterising the possibly punning pcp as "dark but not arch, with a slight hint of humor".
robert curgenven + richard chartier - built through (album preview)
Robert Curgenven + Richard Chartier - acquisition eviction (extract)
Pinkcourtesyphone - wistful wishful wanton
pinkcourtesyphone - foley folly folio (album preview)
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